Step 3: Process will take around 10 minutes when the process will get complete a partition will be created. And then choose the Shrink volume option, In entering the amount to shrink enter 20000, and then hit the shrink button. Step 2: In Disk 0 section you’ll able to see all volume, Right-click on any volume which has enough space to shrink. Alternatively, you can Right Click on the Start button in Windows 10 and you’ll get the Disk Management option. Step 1: To Open Disk Management Press Windows + R Run window will open, type diskmgmt.msc, and press Enter. Because the Installation process format all data of the selected drive, if you choose C drive then you’ll lose data. ![]() Or if you want to install it on your Hard Drive then you need to Shrink Volume. ![]() If you’re going to install Remix OS on USB Drive then you don’t need to shrink volume. Shrink Windows Partition to Dual Boot Remix OS. In System Information, you can check BIOS mode if it’s UEFI then choose a 64-bit version and if it’s Legacy then a 32-Bit.Īlternatively, you can right-click on My computer > Properties and can check System Type. Press WIN + R Key and type msinfo32 and then press Enter. Well, Before downloading Remix OS for PC, check your BIOS Mode. Though, from a well-known software download hub FOSSHUB, you can get Remix OS and Remix OS Player files. Remix OS Official website is not live currently, because developers have stopped working on the Remix OS Project.
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![]() And also, non-Hebraists would completely lose out, whereas in transliterated script they can at least recognize the same word when it is named again. But it's an absolute pain to do this in the fonts required by the journals. Of course FOR MYSELF I'd prefer Hebrew every time. It's about journal editors' requirements, not my preferences. All I really wanted to do was see how you transliterate text, not get into a debate about the pros and cons. But before I say more, it would be interesting to see why you dislike it. I find it really useful for several reasons, even if one may not agree with the definition used by the author of the interlinear. George, I do not understand why you are so opposed to interlinear text. Or the other way around, put the transliteration in parenthesis. Perhaps you could place the word in Hebrew in parenthesis for those of us who have difficulty with the transliterations. Another reason I do not like transliterations, is because one can never quite properly pronounce a large percentage of words in another language when using transliterated text (for instance, those who use transliterated text to learn Spanish are doomed to have just as bad an accent as I do in English). And both are easier than the multiple notations in the transliterated scripts. It is a lot easier than the Cyrillic script, for instance. The Hebrew alphabet is not that hard to learn (I believe I can teach anyone to read the alphabet in two hours). I personally have a huge mental block about the idea of it. For instance, I find it extremely frustrating when I read Young’s commentary on Isaiah, and have to try and decipher the transliterated Hebrew. Perhaps the most important for me, is that I find it very difficult to learn the notations for transliterated Hebrew. ![]() I just wanted to say that I prefer the Hebrew script over transliterated script for several reasons. Conquer, this has been an interesting thread. ![]() Worksheets do not have a big role in the early childhood classroom, so try to find out how to meet objectives in fun and creative ways. There should be dramatic play, block play, outdoor time and tons of time to explore the classroom centers. Instead, there should be solid blocks of time for gross motor play and the development of fine motor skills as well, whether indoors or outdoors. There should not be long periods of sitting or waiting and there should not be the majority of whole group time. Play-focused schedulesĬhildren need active play! Sensory play should be woven throughout the day in daycare schedules. Use those wait times as teaching moments to do songs, dances, read a story, play a game, etc. It isn’t developmentally appropriate for children to be sitting and waiting longer than 3 minutes if there isn’t any activity taking place according to the Early Childhood Education Rating Scale schedule checklist. Kids waiting to use the potty, waiting to eat lunch, waiting to go outside, etc. So much time in the daycare classroom can be wasted waiting. Every moment can be used as an opportunity to learn. Sing a song, play peek-a-boo, ask questions, name body parts, etc. When changing a diaper, use that as an opportunity for that one-on-one interaction. ![]() It is helpful to remember that everything you do with students, even diapering or even dramatic play, can be considered curriculum! If you have toddlers, for example, trying to fit in your lesson plans along with all the diaper changes and feeding, it doesn’t seem possible! Having a balance of domains in learning will truly help develop the whole child and help the daily daycare schedule be something enjoyable for students and even for you as the teacher.ĭevelopmentally appropriate daily schedulesĬreating a daily daycare schedule template can be difficult because you may feel like you need to cram so much into the day. If you only do whole group activities, it will stifle the learning process for many children, while if you only teach through song and art, other children will suffer. Some thrive through listening while others thrive learning visually. You also want to make sure that you are not just doing one type of activity like math or reading or writing for the majority of the day. Only giving 10 minutes or 20 minutes isn’t enough time for students to truly engage in imaginative play. When planning out your daily daycare schedule, it’s important to make sure enough time is allotted to certain activities and that not too much time for others.įor example, when having learning centers/free playtime, it’s essential to have at least 45 minutes to an hour for students to get a solid block of time to get the most out of their play. ![]() When it comes to daily schedules, it’s important to make sure they are balanced, developmentally appropriate, and play-focused so that children can have a well-rounded learning experience. It’s important to be prepared and have the day planned out so that students can thrive with the routine that comes from having a daycare daily schedule and learn in a structured and fun environment. Kids thrive on routine, and daycare schedules allow for educators to have a predictable, yet flexible outline of how the day will go. If you’ve been in the daycare business for even a day, you know the importance of having a daily daycare schedule.
We weren't getting along with each other and we were all fucked-up with drugs and alcohol. ![]() "We were just a fucking bunch of guys drowning in the fucking ocean. "With Never Say Die!, we were down on our luck," Osbourne reflected to Spin magazine. ![]() Everybody was playing a different thing." We'd go down to the sessions and have to pack up because we were too stoned. He'd say, 'I'm not singing that.' So you'd have to rethink the whole thing." In the 2004 book How Black Was Our Sabbath, Iommi is quoted as saying, "We were all into silly games . We did this 10th anniversary tour with Van Halen in 1978, and everybody's going 'Here's to another 10 years!' And I'm going, (rolls eyes) 'Yeah, sure!'"īutler was growing impatient with Osbourne's criticism of his lyrics, telling Guitar World in 1994: "I used to hate doing it towards the end of the Ozzy era. Because we knew that was it we just knew it was never going to happen again. People didn't realize that it was sort of tongue-in-cheek, the Never Say Die! thing. We'd be there, trying to write songs during the day and go and record them at night." In the same article bassist Geezer Butler added, " Never Say Die was a patch-up kind of an album . So we had this cinema that we'd go into at 10 o'clock in the morning, and it was freezing cold it was in the heart of winter there, really awful. In 2001 Iommi elaborated to Dan Epstein of Guitar World, "I booked a studio in Toronto, and we had to find some place to rehearse. They were okay about it, but it took time to get it exactly right. So what we had to do was rip the carpet up and try to make it as live as we could. We got there and it had a dead sound – totally wrong. The studio was booked through brochures because people thought it might be a good one. "Why Toronto? Because of the tax, really. "We went to Toronto to record it, and that's when the problems started," Iommi recalled. The album was recorded at Sounds Interchange Studios in Toronto. I don't think anyone's heart was in it anymore." But it was obvious things had changed, especially between me and Tony. I just turned up in the studio one day – I think Bill had been trying to act as peacemaker on the phone – and that was the end of it. I left the band for three months before we got back together to record it." However, the writing was on the wall, with Osbourne stating in his memoir I Am Ozzy: "No one really talked about what had happened. "My father was dying, so that put us out for over three months with the funeral and everything. "We had a few internal problems," Osbourne admitted to Sounds magazine. The songs with Walker were redone "Junior's Eyes" was rewritten to be about the then-recent death of Osbourne's father. Osbourne also refused to sing on "Breakout", which remained an instrumental. As a result, the album sounds very confused. We ended up having to write in the day so we could record in the evening, and we never had time to review the tracks and make changes. ![]() Bill Ward had to sing on one track ("Swinging The Chain") because Ozzy refused to sing it. Iommi elaborated in the 1992 Guitar World piece, Osbourne eventually rejoined, refusing to sing any of the songs written with Walker. So we had to bring in another singer and write all new material." The band wrote a handful of songs with Walker, with that short-lived line-up even performing an early version of what would become "Junior's Eyes" on the BBC programme Look Hear. In 1992, guitarist Tony Iommi explained to Guitar World, "We never wanted him to leave, and I think he wanted to come back – but no one would tell the other how they felt. Prior to recording, vocalist Osbourne briefly quit the band and was temporarily replaced by former Savoy Brown and Fleetwood Mac vocalist Dave Walker. ![]() Recording Īt the time of the recording of Never Say Die! the members of Black Sabbath were all heavily involved in drug and alcohol abuse. The album received mixed reviews, with critics calling it "unbalanced" and insisting its energy was scattered in too many directions. on 7 November 1997 and as of November 2011 has sold 133,000 copies in the United States since the SoundScan era. It was the last studio album with the band's original lineup and the last studio album to feature original vocalist Ozzy Osbourne until the 2013 album 13. Never Say Die! is the eighth studio album by English rock band Black Sabbath, released on 29 September 1978. ![]() Gregers Kure, CEO of the latter, expressed himself “incredibly pleased”. Norske Shell nevertheless announced on 31 August 1989 that the NOK 1.7 billion contract had gone to NC. Transport and Installation of Protective Barrier Ekofisk 2/4 Tank. This contractor had done a good job in building the protective barrier for the Ekofisk tank in the North Sea, and Shell thereby felt it could be a viable competitor to NC. The operator worried that this would mean a higher price than if several companies competed for the work, and accordingly invited the Peconor group to submit a tender. Shell was also very keen to ensure competition over building the GBS, a business where Norwegian Contractors (NC) had become a virtual monopoly supplier with its Condeep solution. Photo: A/S Norske Shell/Norwegian Petroleum Museum ![]() Concrete GBS Kontraktstildelinger i 1989/90, engelsk, Draugen GBS in Yrkjesfjorden. KE was also responsible for planning the test programme and commissioning for the platform once it was in position on the Halten Bank area off mid-Norway. The award of the NOK 500 million detail design contract for the Draugen topsides to Norway’s Kværner Engineering (KE) was announced on 15 March 1989.Ībout 450 people would be employed in designing this steel structure, including outfitting, living quarters and drilling facilities. Less than six months after Troll A came on stream, Statoil took over as production operator for the gas development in accordance with the terms of the licence agreement. That makes it the world’s tallest structure moved by humans. Plus the topsides, this whole facility would stand 472 metres high at tow-out in 1995. That proportion reflects the fact that Shell’s Troll A plans covered the world’s largest offshore gas field, and included a massive concrete gravity base structure (GBS) for the platform. Shell-kontrakter til 35 milliarder kroner. Draugen accounted for almost a third of this amount. ![]() The operator planned to place orders worth some NOK 35 billion (equivalent to roughly NOK 65 billion in 2018 money) for these two projects. ![]() And she expressed determination to face her demons and keep her commitments. She was grateful to know there would be no shame in backing out. I offered to release her from her commitment to co-author the new edition. We then had a very honest problem-solving discussion. She also shared, without using it as an excuse, how overwhelming her schedule was in the midst of product launches, COVID challenges, and the rest of life. She was vulnerable, human, and responsible. She owned what was going on and shared how intimidating it was to write for the first time in this way, and in a book that had already sold millions of copies. Rather than coming in blaming or with judgments, I simply described what had been happening for a couple of months and tried to Make It Safe for her to tell me what was really going on.Īnd she did. So, I reached out to Emily and asked to schedule time together to examine the pattern. I was repeatedly holding Content conversations (about missed deadlines) when it was clear this was a Pattern issue. Second, I recognized the need to Unbundle with CPR. It was easy to remind myself that this was NOT Emily. ![]() I acknowledge the temptation to tell this story and exerted effort to hold it tentatively while opening myself to other possible explanations. I’ve got my own life wounds that incline me in moments like this to feel disrespected or picked on. First, I had to work consciously to Master My Story. Now if you’re a student of Crucial Conversations, you’ll appreciate how I had to draw on every single skill we teach to respond to this situation. I’d either get no response, or a vague apology and commitment to get it done. Not only did she miss a couple of commitments to get chapters turned around to me, she also became difficult to communicate with. When we set up a writing schedule a year ago, all was going along swimmingly until a few months in when Emily started missing deadlines. With permission from Emily, I’ll share my side of the story to demonstrate that these skills are not just a professional interest for Emily and me, for our work is intensely personal. I have watched her for twenty years hold others accountable, examine and improve her own habits, and learn to influence our ever-growing employee population.īut if you want a voyeuristic peek into our writing experience together, I’d have to acknowledge there was at least one Crucial Conversation. She relentlessly examines herself for ways she can become a better person. Since Kerry, Al and Ron have retired, the work fell completely to Emily and me.įor the most part, working with Emily in this new way was a joy. But there were surprisingly few in writing the third edition. Sometimes it’s asked with a voyeuristic fascination, as though the unstated question is, “Were there some knock-down, drag-out fights along the way?” The truth is it took a lot of Crucial Conversations to write Crucial Conversations. People often ask what it was like to write Crucial Conversations with four authors. ![]() O bi’mo ooo/ obimo (She gave birth, yes, she did!) Discrepancies in semblance between father and child are all too obvious! How do you explain stark differences in complexion and other vital details? Waheed’s aunt raises the alarm once again: There’s a twist when the pregnant lady puts to bed. Iwo, iwo naa (You!? You, of all ‘people’?) Wahidi, omo Sekina, Omo Muyina, Omo Muhammad (Waheed, son of Sekinat, daughter of Muinat, daughter of Muhammad) Īunti to l’oyun fun o/ o to bi o l’omo (The lady is even old enough to be your mother) More so, she rues the fact that the pregnant lady is much older than Waheed. Perhaps, the poor young man had forgotten his roots and thus started to misbehave – an anomaly! She addresses him in a condescending manner – he is too young and incapable to start a family of his own. Moved by pity and shock, she reminds him of their blood ties, in a typical Yoruba way of tracing the lineage of an offending fellow. Iwo iwo naa/ o l’oyun fun o (You, of all ‘people’? She’s pregnant, for you!?) ![]() Oyun osu meji/ o l’oyun fun o (For two months, she’s been pregnant for you)Ī ni wipe o o/o l’oyun fun o (I mean, she’s pregnant – for you!?) O wi pe o/ o l’oyun fun o (She said you’re responsible for her pregnancy) O wa o wa ‘le yi/ Ati ojo meta atabo (She was here to see you/ three –and a half– days ago) Ibi o ba lo je a mo (let us know where you’ve been)Īunti ton gbe’le itosi (the lady that lives nearby) In the first verse, the narrator –his aunt, as we soon discover– quizzes Waheed, the protagonist:Īwe, ibo l’olo ka/t’a fi n wa o ka (Hey! where have you been? /we’ve been searching for you!) This is easily the story of quasi rural-urban migration gone sour, where a young man is given a lease of life from the bucolic trappings and socio-economic realities of the village in suburban Lagos, but naively gives in to one of the evils of the much more sophisticated city life. A track from her eponymous debut album, this ballad, sung on the pentatonic scale, unfolds the story of a young man caught up in a romantic affair with a much older woman. In this third installment in a serial analysis of Asa’s songs, mostly those with heavy Yoruba lyrics, I take a swift journey through Bukola Elemide’s “ Awe”. Perhaps, I am well on my way to becoming an Asa scholar of sorts. ![]() He has been gracious enough to share a lot of great experience with us. What is your budget anyway?Īlso, Brundlefly is the smartest person on this forum on sound proofing in my opinion. But seeing is believing, take a look for your self. I mitigated the sound, gave up trying to make it sound proof. I asked this very same question two years ago. There are tons of sites that will provide guidance and advice. Sound proofing is expensive, from what I have read, it requires double walls and exceptional installation. Next, I don't play over 9 pm max and I made sure every one of my neighbors has my cell. Sound proof and budget are almost incompatible.īest thing I did was to invite all my neighbors over to the drum room and let them bang away, they had fun and that saved about 10 grand. This would basically be made out of a timber frame, think plaster board, and thick rockwall insulation.Ī few suggestions, first search sound proof on DW and you will find a chorus, too loud to not be heard with sound proofing, that sound proofing is lofty goal. I was thinking that may be should build a room in a room type of thing. ![]() My day job is building and im pretty capable of most building tasks. The building is not attached to any other buildings.Ģ) Has to be pretty well sound proofed so i can play any time of day and not piss anyone off.ģ) Has to be within a reasonable budget (im not a rich as some of the top pros) Let me know what you think.ġ) Has to convert a single car garage into a sound proof unit. ![]() I think that alot of drummers here on this forum have had this problem and i would love to hear some advice from people who have had and over come this problem or even if you have seen some cool links for ideas. So here i am looking for help from the my fellow brethren, and what can be a better to place to look for it from here. In the end i thought to myself "gee i really have to have a practice area for me to play no matter what time of day". I have been toying with the idea of a drum room for a while now and have been not to sure how to go about it and how much its going to cost. Hello everyone and thank you for looking at my thread. ![]() ![]() The powerful web security Sophos Home brings to the table, makes sure you do not become the victim of online fraud and your PC or Mac doesn’t succumb to online threats. It secures your web browsing experience by blocking exploits and techniques hackers use to steal your credentials and access sensitive personal information. Sophos Home Premium customers may install the free application and contact Sophos Home support should they require assistance with their un-managed devices. ![]() Delivering advanced ransomware protection to Macs and cutting-edge artificial intelligence malware detection to protect your PCs from known and unknown threats, Sophos Home stops new threats as you browse, bank, and shop online. For individual/un-managed use, Intercept X for Mobile is available for free on the Apple App Store and Google Play, supporting iOS and Android devices. Sophos Home offers comprehensive web protection against the latest, unique threats targeting Windows and Mac computers used by you and your family. But this increased reliance on the internet makes your PCs and Macs vulnerable to sophisticated internet threats such as ransomware, adware, keyloggers, phishing scams, and spoofed websites. Anti-malware, sécurité Web, filtrage des URL, contrôle des applications et bien plus. Surveillez et contrôlez la navigation Web de votre famille pour les protéger. Accédez à votre réseau domestique où que vous soyez. It is used to search for products and services, online banking, look for topical information, and a whole lot more. Fonctionne en parallèle de votre logiciel antivirus actuel. The internet has become a critical part of our lives. Enterprise-level web protection for PCs and Macs Sophos Home Premium customers may install the free application and contact Sophos Home support should they require assistance with their un-managed devices. |
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